Piano Restoration

What determines the sound of a piano?

Piano makers in various times and places have had differing aims, and have designed their pianos around these aims. German makers have usually made pianos with a tone that is rich, warm, and full. Japanese pianos have an action design similar to German pianos, but have aimed at a simple, pure tone, well suited for jazz and pop.

American pianos have a strong, full tone, recognisably different to the German sound. Grand pianos and tall upright pianos, with their longer strings, produce better tone, especially on the low notes. Taller upright pianos also have more ideal proportions in the working parts in the action, which facilitates a better touch. 

What design features contribute to the tone of a piano?

  • Quality and shape of soundboard and ribs.

  • Position and design of the bridges.

  • Layout and length of the strings and where the strings change from one gauge to the next (scaling).

Of equal importance is the condition of the piano. Unless they have been well maintained, most second-hand pianos will not be playing or sounding their best. There are a number of piano parts that tend to wear fairly quickly, and these affect the tuning, tone and touch of the piano. Many of these can be re-built or restored. That's where I get involved. . .

How a piano is restored

    • Restore appropriate crown and down-bearing

    • Reattach loose ribs

    • Repair cracks

    • Re-finish

  • Bridges make a significant contribution to the clarity and power of the piano. 

    • Reattach/Replace bridge pins

    • Reattach/Re-cap/Replace bridges

    • Re-build dampers

    • Replace worn sets of felts (worn felts compromise the relationships between parts)

    • Replace centrepins to achieve stability and ideal friction level.

  • Hammers make a huge contribution to the sound of the piano. I use only the highest-quality German hammers (Abel or Renner). I also have techniques for adjusting existing hammers, which can often be misshapen, too hard or too soft. 

  • Most pianos have tuning pins held firmly in a wooden pinblock. As the piano ages the tuning pins become looser, and pianos doesn't stay in tune. I have techniques to keep them functioning for as long as possible, after which I can re-pin the piano, with slightly thicker pins. This usually allows the piano to be tuned accurately at concert pitch for about another 40 years. 

  • Strings older than 100 years begin to sound harsh and brittle. When the piano is re-pinned it is also re-strung. This makes a wonderful improvement to the tone. I use the highest quality polished german piano wire, and custom made bass strings, modelled on the originals.

    • Adjust/replace bushings

    • Replace felts and cardboard punchings under the keys

    • Repair/replace, whiten, polish keytops. (Ivory, celluloid, plastic)

  • The cabinet, keys, and brass pedals, hinges and fittings are all important aspects of the presentation of the piano. Some of the techniques I can use to restore these include:

    • Replacing missing or damaged wood veneer

    • French polishing

    • Polishing modern polyester finishes

    • Polishing brass

Completed Restorations

  • New List Item

Piano action and hammer restoration,
restoring hammer butt shape – restoring hammer speed!

A properly working action has a specific geometry of moving parts, and a specific sequence of events when a note is played. A peculiar requirement of piano actions is that they work silently. To achieve this many parts of the action are cushioned with felts. (The felts also dampen rebound.) Playing the piano gradually compresses these felts, and this compromises the geometry and sequence of the action.

There are many adjustments that can be made (regulating the action) and these allow the action to continue functioning, but in a somewhat compromised manner. A particularly important, but often overlooked example of this, is the shape of the hammer butt. This should be a consistent curve to allow the jack to maintain ideal relationship and contact with the hammer butt during the stroke.

Worn hammer butts can be repacked or rebuilt. This restores power, speed and correct sequence in the action. It really makes the piano play like new! The gain in hammer speed is particularly beneficial, as this greatly affects the tone and dynamic range. The tone is affected not only by the velocity at which the string is struck, but also the duration that the hammer is in contact with the string. New or well maintained hammers strike the string with a small striking point, and rebound quickly from the string.

Custom Features

I enjoy working with other artists to create special features on instruments. Such as Catherine Wheel who created the beautiful stained glass shown oppsite:

Make it truly unique.

I can create a celeste rail for your piano. This is a strip of thin felt that half-dampens the notes. It's a lovely effect that was featured in some old pianos. It is different from the thick felt on the practice pedal in modern pianos. I can convert a practice pedal to a celeste pedal if desired. 

I enjoy working with other artists to create special features on instruments. Some examples might be:

  • Re-create missing sconces (candelabras)

  • Create a feature stain-glass window in the front panel of the piano (As pictured, stained glass by Catherine Wheel)

  • Replace damaged or missing wood-turned details

  • Renew painted details on the frame

  • Create new painted coats or details

  • Create new wood carved detail

I enjoy collaborating with some wonderful artists who can add unique features to your piano. They are able to consult with you on design ideas. These features include wood carving, wood turning, glass blowing, stained glass and brass features. 

The beautiful stained glass featured above was created by Catherine Wheel. To see her stunning work more closely please follow the link to her website: www.catherinewheel.com.au

Custom pianos

Sometimes it is useful to modify a piano for a special purpose. I once modified a piano so it would play a minor third lower than written, but still retain its normal tone. This piano was used with a singer whose voice had become lower. It allowed him to sing in a key that suited his voice, without having to have all written music transposed for the accompanist. 

Feel free to speak to me about any special ideas you would like to try.

Email
lachlan@pianosvictoria.com

Phone
0434 091 533

Come Visit Our

Workshop

36 Denham Road
Tyabb, Vicotria 3913